I have two calendars of
Georgia O'Keefe prints this year, one at work and one at home. I started looking at all of the images as self portraits. The ones with two flowers could be portraits of her and Alfred Stieglitz: two artists working alongside each other, at times one overshadowing one another.
The barns looked to me, too, to be portraits.
Ends of Barns looks like a protective grouping, each building with only tiny windows to their interiors. The adobe church painting could be her inner life, the relationship she has with art, the relationship one has with the divine.